![]() ![]() Sending a thank you note! (Sometimes I’m late, but sending it late is better than never…) Writing utensil:īlack uni-ball micro point pen. “Warmly, Lucy” for everyday correspondence and “xoxo” for friends Etiquette tip: My box full of letters, cards and invitations that I have kept over the years. Travel, podcasts and books/book stores Prized possession: It holds such special memories for me! Inspiration: The beach! I lived in Santa Rosa Beach, Florida for a few years after graduating from Auburn. Present over Perfect by Shauna Niequist Favorite recent film:Īll things chocolate, charcuterie boards and sushi Power color: We have also included our Q&A with Lucy below.Īlabama Christmas by Alabama for the holidays and anything Frank Sinatra for the rest of the year. Evening walks around Mobile with her husband and pup, Galley, curling up with a good book, spending time with loved ones, and brownie blizzards are some of her very favorite things.Ĭontinue scrolling for some images of Lucy's Dixie artwork in-progress as well as the finished cards in our holiday collection that feature her artwork. ![]() She finds so much joy in bringing ideas to life through typography, color and paper. While there, she began to introduce watercolor illustrations into her layout designs, and she quickly fell in love with the technique.Īfter marrying her husband, Patrick, in the summer of 2017, she made the move to Mobile, Alabama, where she currently resides and works as a full-time graphic designer, illustrator, and calligrapher. After a fellowship with Coastal Living magazine, she worked as the Assistant Art Director for a boutique marketing firm and publishing house along the shores of Santa Rosa Beach, Florida. Alabama native, has gravitated towards coastal towns since graduating from Auburn University with a BFA in Graphic Design. While Lucy Young has been a beloved member of the Dixie family since February 2018 and has served as our Design Director since January 2019, we could not be more excited to now introduce her as one of our artists this season! Lucy, a Birmingham. Claiborne Swanson Frank Notecard Collection.Through an account of the rhetorical geography of memory of the Birmingham Civil Rights Institute, this essay posits that place, violence, and masculinity to animate a relationship between exigency and response, producing a gendered landscape of memory that limits at the outset the conditions and possibilities for women’s emergence. The relationship between these spatial and rhetorical configurations are termed as the rhetorical geography of memory. This essay argues that memories of civil rights movements are mapped spatially and rhetorically to depict correlations among Jim Crow contexts and acts of black resistance. Although scholars recognize the importance of recovery projects that aim to recenter women’s roles in black freedom struggles, when it comes to these memory practices, the “woman problem” of civil rights memory is more acknowledged than understood. In fact, the South’s civil rights public memorial landscape-a conglomeration of museums and memorials that help comprise the region’s profitable black heritage tourism industry-is one that promotes a “Great Man” perspective. When publics remember southern black freedom movements they often forget women’s pivotal roles as activists and leaders. The analysis reveals how the News framed its coverage of arguably the greatest college football dynasty of all time, while the rest of Alabama faced more national scrutiny than any other state for such violent responses to the “threat” of racial equality. Guided by framing theory, a textual analysis was conducted on 1,407 articles written by the Birmingham News Crimson Tide sportswriters during each college football season between 19. ![]() The reviewed literature provides a historic account of the Deep South and the evolution of southern college football in the nineteenth and twentieth centuries in order to place the state of Alabama and its Crimson Tide football program within the proper sociocultural context for this study. Growing tired of national media’s backward stereotypes, the University of Alabama’s victory over the University of Washington in the 1926 Rose Bowl presented much of the South with the illusion that “northern values” were nonessential components in keeping pace with the rest of America’s progress. ![]() During this time, southern college football began to resonate in many respects with the Lost Cause – a set of exaggerated beliefs memorializing the Confederacy’s defeat – due to the sport’s shared traditions with the Old South’s values of masculinity, honor, and chivalry. This study examines college football’s role in redefining the American South’s regional identity in the century following the Civil War. ![]()
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